experimental albums meaning

The No Wave movement was closely related to transgressive art and, just like Fluxus, often mixed performance art with music. Whatever success this might have had in academe, this attempt to construct a genre was as abortive as the meaningless namecalling noted by Metzger, since by the "genre's" own definition the work it includes is "radically different and highly individualistic" (Mauceri 1997, 190). Mitglieder des 'Ensemble Modern' befragen Hans Zender". Wörterbuch der deutschen Sprache. It is therefore not a genre, but an open category, "because any attempt to classify a phenomenon as unclassifiable and (often) elusive as experimental music must be partial" (Nyman 1974, 5). This was the album that legitimised punk - hitherto a stroppy fad - into the rock canon. This dense double album from the U.K. group finds them further refining their bizarre, maximal approach to pop sounds. It is alternatively seen, however, as an avant-garde offshoot of 1970s punk, and a genre related to experimental rock (Anon. ), as well as composers such as Gavin Bryars, John Cale, Toshi Ichiyanagi, Cornelius Cardew, John Tilbury, Frederic Rzewski, and Keith Rowe (Nyman 1974, 78–81, 93–115). When a musician or composer's approach is a hybrid of disparate styles, or incorporates unorthodox, new, distinctly unique ingredients, the music could be classified as experimental. Typischerweise wird ein Experiment konstruiert, um in der Lage sein, eine Art Kausation zu erklären. & n.d.(c)). On his seventh solo album, the art rock icon explores elongated approaches to his already sprawling mystical guitar noise. Ballantine, Christopher. Rhys Chatham and Glenn Branca composed multi guitar compositions in the late 1970s. This was an attempt to marginalize, and thereby dismiss various kinds of music that did not conform to established conventions (Mauceri 1997, 189). 1994. "Was ist experimentelles Musiktheater? John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing indeterminacy techniques and seeking unknown outcomes. Elements of experimental music include indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Keimen geht auch ohne Licht. The album, as a form, is a suggestion at best, and 2017’s most adventurous artists stepped well beyond its boundaries—if they acknowledged its boundaries at all. Benitez, Joaquim M. 1978. Experimental Music is a general label for any music that pushes existing boundaries and … Mit einem Glas können Kinder in der Sonne die Sonnenstrahlen zumeist in … Benjamin Piekut argues that this "consensus view of experimentalism" is based on an a priori "grouping", rather than asking the question "How have these composers been collected together in the first place, that they can now be the subject of a description?" 5 by Jackie-O Motherfucker released in 2000 via Road Cone. That is, "for the most part, experimental music studies describes [sic] a category without really explaining it" (Piekut 2008, 2–5). Free improvisation or free music is improvised music without any rules beyond the taste or inclination of the musician(s) involved; in many cases the musicians make an active effort to avoid clichés, i.e. Lydia Lunch started incorporating spoken word with punk rock and Mars explored new sliding guitar techniques. How to use experimental in a sentence. Yoko Ono used this technique of expression (Bateman n.d.). Free improvisation or free music is improvised music without any rules beyond the taste or inclination of the musician(s) involved; in many cases the musicians make an active effort to avoid overt references to recognizable musical genres. Starting in the 1960s, "experimental music" began to be used in America for almost the opposite purpose, in an attempt to establish an historical category to help legitimize a loosely identified group of radically innovative, "outsider" composers. overt references to recognizable musical conventions or genres. In the 1950s, the term "experimental" was often applied by conservative music critics—along with a number of other words, such as "engineers art", "musical splitting of the atom", "alchemist's kitchen", "atonal", and "serial"—as a deprecating jargon term, which must be regarded as "abortive concepts", since they did not "grasp a subject" (Metzger 1959, 21). Elements of experimental music include indeterminate music, in which the composer … 1977. Rebner's lecture extended the concept back in time to include Charles Ives, Edgard Varèse, and Henry Cowell, as well as Cage, due to their focus on sound as such rather than compositional method (Rebner 1997). Leonard B. Meyer, on the other hand, includes under "experimental music" composers rejected by Nyman, such as Berio, Boulez and Stockhausen, as well as the techniques of "total serialism" (Meyer 1994, 106–107 and 266), holding that "there is no single, or even pre-eminent, experimental music, but rather a plethora of different methods and kinds" (Meyer 1994, 237). "Towards an Aesthetic of Experimental Music". 2001. For this music they both developed a group of experimental musical instruments. Experimental Music is a general label for any music that pushes existing boundaries and genre definitions, be it in rock, jazz, modern composition or any other style. John Cage was also using the term as early as 1955. 2002. 3.93. Experimente werden durchgeführt, um Phänomene vorherzusagen.

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